Today a richer musician thanks to this city.Īre there any recordings, labels, venues, musicians, or other participants Today, I am colleague of many of themĪnd I absorb a lot from each shared experience, not only musically. I have met idols from my childhood, who I have listened to at home since In what ways has the scene changed you and your musical practice?īerlin is very important to me. I've felt a drop in desire, much because of the pandemic. In the 6 years I've been here, only in the last two years Since I got involved I think the scene has become richer on all levels In what ways do you think the scene has changed since your involvement and Practice is that, almost every night there are concerts, exhibitions, Well, Berlin is currently the artistic epicentre of the world, where almostĮvery musician and artist stops off, even if only temporarily, toĮxperience, discover, gain experience and artistic culture. Practices - about Berlin that you think makes such a scene possible? The short video below will make you want to hear more (recorded at BurningįJB: Is there something material - like demographics, affordability, or cultural Jazz piano trio could sound like: unleashed, nervous, disciplined, listening The album ends with " Core", introduced byīergman, and like the first track, evolving into the perfect freedom of what a " Tempest" starts calmly, with an almost romantic quality, where it notįor Ullén's capacity for unusual intervals, but as you might have guessed, The third piece is structured around a heavy single chord,Īlmost hammered, a hypnotic foundation for bass and drums to work around,Īfter which the piece completely shifts into a very quiet, peaceful almost Repetitive and shifting patterns into ever more expansive sonic generosity and Ullén builds up the improvisation elegantly, weaving With some muted strings on the piano, subtle bass work and accentuating The second starts more quietly and tender, The first isĪn intense almost boppish workout with high intensity and fireworks from Lundĭriving forward the swirling piano. (" Come Together", " The Circle of Security", " Joint Attention"). The first three tracks have titles that suggest closeness and human warmth Sounds like a sonic release from lockdown, a true joy from beginning to end. The album was recorded during the pandemic, at theįylkingen venue in Stockholm, and the music Of the qualities of their background: seamless interplay, strong versatility,īrilliant instrumental skills combined with intensity, power and References here are only to demonstrate that this trio album is a culmination Bergman has also performed with Ullén, on " Sekvenser och Lager" with the Motståndsorkestern, and she is a member of Fire! Orchestra. On this album, she teams up with Elsa Bergman on bass and Anna Lund on drums.īergman and Lund we know from their collaborations with Anna Högberg's Attack She received five-star ratings from us for her " Piano Works" and " Hydrozoa", also with De Heney. Performer, Ullén's output is relatively limited, and not in proportion to the Heney on " Carve", I've been a big fan of their music. Ever since I heard the duo of Swedish pianist Lisa Ullén and bassist Nina De
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